double vinyl in gatefold sleeve.

alkan explores the fringes of club melancholy on remixes first for old friends hot chip, whose boy from school builds and builds to dancefloor catharsis, while mockasins forever dolphin love maintains the whimsical qualities of the original, even when shot through with an irresistible bassline.

limited warehouse find of the timeless 2009 masterpiece from brock van wey aka bvdub plus remixes from intrusion. white coloured & marbled 4x12 vinyl in gatefold sleeve.

banoffee pies records land their 5th edition to their original series with bp005, another interesting curation hosting the likes of liem and eddie ness of the lehult imprint, along with unknown gem and latest label affiliate to bpr, acs - presenting an intriguing journey into the midst of space pulling from a tropical roller coaster a side into analog acid jams on the b. again, always, and forever, let the music do the talking. for the lovers and the dancers. banoffee x

paul hester created his cult moon music label in 1997 as a portal for his own productions and sounds. the label was short-lived, with only 3 releases in it’s catalogue, all produced by hester himself. those few releases on moon are now highly sought after among house and techno aficionados who are forever seeking that deeper groove. the interesting part of this story, beyond the amazing music that was released, is that there are many other tracks that never saw the light of the day, thus leaving the full moon story untold. “millennium / days gone by” from 1999 is the second moon music release and is comprised of 2 cuts that boast hester’s idiosyncratic production hallmarks - slick, glacial, minimal electronic funk.

ltd 2017 repress , rest in peace andreas. your music will live on forever. andreas gehm, before his untimely death, announced on his board he wasn t coming back on stage but he had releases in the pipeline of important labels. two of these tracks were meant to involve. tribute to the master of german acid.

die 70s pop annual edition beinhaltet die wichtigsten titel der 70er jahre auf 180 gramm vinyl. bei 30 der größten hits des jahrzehnts sind künstler wie the sweet, electric light orchestra, t. rex, steve harley & cockney rebel, david essex, meat loaf, david soul, bay city rollers, eric carmen, baccara, boney m und viele weitere vertreten. diese zusammenstellung ist exklusiv nur als vinyl-edition erhältlich.

endlich ist es soweit, sia, die 8x grammy-nominierte ausnahmekünstlerin wird am ihr atlantic debut veröffentlichen. und damit nicht genug, mit »everyday is christmas« wird sie in form eines weihnachtsalbums mit 10 außergewöhnlichen weichnachts-popsongs frischen wind in die doch eher musikalisch traditionell geprägte weihnachtszeit bringen!
ob singles wie »cheap thrills« und »chandelier« oder ihr letztes album »this is acting«: so ziemlich alles, was sia in den letzten jahren angepackt hat, ist zu gold geworden – wortwörtlich. die australierin weiß durch ihre musik und ihre ausdrucksstarken videos aufzufallen und zählt mit sicherheit zu den erfolgreichsten künstlerinnen der letzten jahre.
neben ihren eigenen erfolgen hat sia weltweite smash-hits für die erfolgreichsten künstler der letzten jahre geschrieben, darunter für beyoncé, kanye west, rihanna, britney spears, katy perry und viele weitere. ihre aktuelle kooperation mit zayn für dessen song »dusk till dawn« ist weltweit top 10 bzw. top 6 (auch in deutschland).
die vinyl-lp erscheint inklusive downloadcode.

the 1978 album from judas priest back on heavyweight 180 gram vinyl

spirit of music manitou this time chose mysterious artist -616- with 3 classy tracks, driving mid 1990s, with fresh oldschool - not - oldschool, elegant and mind blowing in the same time, the b2 is an uk broken beat vibes with an incredible stunning voice, that will stay in your mind forever.

das neue album von mark forster in der kogong-edition als doppel-vinyl im klappcover, cd inklusive.

the remixs: pointsman – we dont know who he is but he provide a deep big room monster.
tripmastaz - probably the only funky russian you will ever meet. the only russian artist with releases on cocoon, minus, desolat, cadenza. the only russian artist with 4 vinyl labels. hes funky housey remix is the most faithful of the four.
bpmf – schmer label head provides a grimey and noisey big bottom soviet style jam.
steve stoll - nyc acid legend made a hard banging acid tracer.
in 1996 serotonin label heads selway and szostek went to moscow to perform at the invitation of &#1055,&#1058,&#1070,&#1063, magazine. synapse performed at the -waterclub- and met the legendary dj compass vrubell. they went to his -studio- where he had perfected the art of making entire tracks out patterns on the yamaha dx-5. szostek brought a dat of these jams back to nyc and schmer-003 dj rx-5 -a taste for crap- was released as a small run white label in 97. the run sold out and disappeared to be forgotten forever... until 2016 szostek casually mentions its existence to techno uber-nerd nina kraviz who just had to have it for her -fabric 91- cd. so dj rx-5 was back from the ash heap of history and schmer got a new release from him on schmer07. then schmer got the word out far and wide that they d like a remix ep for two of the originals: compass provided stems because like a miracle he still had the patterns after 20 years. heeding the call were pointsman, tripmastaz, steve stoll and schmer s own bpmf. so this is what you get: -a taste for remix-. it will leave your lips wanting more, for sure!

not waving’s computer-acid-pop magnum opus after acclaimed animals lp in 2016
• featuring a vocal contribution from marie davidson on where are we (watch the video here - http://bit.ly/2jhrpxe)
• mastered and cut by matt colton. artwork by guy featherstone
• riyl fad gadget, john bender, smersh, lcd soundsystem

‘utopia’ is the ninth studio album from the iconic artist björk, out november 24th via one little indian records. the album s artwork was created in collaboration of m/m, jesse kanda and james merry and reflects the records sonic direction, optimism, lightness, utopia. of the album she explained to dazed this summer that, ““maybe that’s why it became a utopian theme – if we’re gonna survive not only my personal drama but also the sort of situation the world is in today, we’ve got to come up with a new plan, if we don’t have the dream, we’re just not gonna change. especially now, this kind of dream is an emergency.” björk wrote, produced and recorded the album between reykjavik and new york, working closely with arca and writing for, conducting and recruiting a thirteen piece flute orchestra which will be on the road with her next year.
double heavyweight lp in gatefold sleeve with mp3 download card included.

four slammers dealt out by two well-known house music label honchos, hiding in plain sight. taken from one day of jams in london town, these tracks are drenched in the sweat of 90s dance mania, bringing more than a little mystik menn magic out of the hat and into the mix. pelvis are a multifaceted leisure system celebrating dance, music, film and spatial design through their parties, clothing, record label and other projects. coital embellishers, tailors of state, gland enhancers, dance party linux, a black economy enterprise, forever slippery and uncatchable.

director’s cut reissue - shed’s ever elevating techno experience (w/ download code)

half speed mastered at abbey road studios. 180 gram double vinyl in gatefold sleeve.

increasing access to new studio technology resulted in this splicing of dub reggae dna with cut-and-paste sampledelia. anticipating the later work of labels such as def jux, wordsound and anticon, this 1985 album paired crack jamaican session musicians such as the roots radics’ drummer style scott (by this point the instrumental leader of dub syndicate) and the congos’ ashanti roy with public image limited’s jah wobble and keith levene, not to mention the restless mixing desk boundary-pushing of producer and de facto member adrian sherwood. a more reggaefied take on the industrial funk sherwood was making with tackhead during the same period, lovers of digidub, outernational sounds and even the wilder reaches of 80s hip-hop will find much to get lost in here

the collected double vinyl album contains a selection of the songs from level 42 s earlier years of -starchild- up until -tracie- and -take a look-. these tracks, specially remastered for vinyl, are exciting, standing the test of time, delivered by a timeless band.
180 gram double vinyl, housed in a gatefold sleeve including a 4 page insert/booklet with extensive liner notes and photos.

limitiertes silbernes heavyweight vinyl in spined sleeve inklusive mp3-downloadcode.
der pop-avantgardist john maus präsentiert sein viertes studioalbum “screen memories”! nach dem erscheinen seines aufsehenerregenden albums “we must become the pitiless censors of ourselves” (2011) ging maus auf ausgiebige tour, veröffentlichte ein jahr später “a collection of rarities and previously unreleased material” und verschwand dann von der bildfläche, um sich seiner akademischen ausbildung zu widmen. nachdem er diese mit dem doktortitel in politischer philosophie abschloss, widmete er sich dem bauen von modularen synthesizern und eigenen panels. gleichzeitig komplettierte er “screen memories” in völliger eigenregie in seinem abgeschiedenen zuhause, der so genannten funny farm in minnesota. der erste vorgeschmack des resultates war ende august mit dem album-opener “the combine” zu hören. darin singt maus mit sonorer stimme und im charmant-elektronischen barock-soundkleid: “it’s going to dust us all to nothing, man. i see the combine coming.”

schwarzes heavyweight vinyl in spined sleeve inklusive mp3-downloadcode.
der pop-avantgardist john maus präsentiert sein viertes studioalbum “screen memories”! nach dem erscheinen seines aufsehenerregenden albums “we must become the pitiless censors of ourselves” (2011) ging maus auf ausgiebige tour, veröffentlichte ein jahr später “a collection of rarities and previously unreleased material” und verschwand dann von der bildfläche, um sich seiner akademischen ausbildung zu widmen. nachdem er diese mit dem doktortitel in politischer philosophie abschloss, widmete er sich dem bauen von modularen synthesizern und eigenen panels. gleichzeitig komplettierte er “screen memories” in völliger eigenregie in seinem abgeschiedenen zuhause, der so genannten funny farm in minnesota. der erste vorgeschmack des resultates war ende august mit dem album-opener “the combine” zu hören. darin singt maus mit sonorer stimme und im charmant-elektronischen barock-soundkleid: “it’s going to dust us all to nothing, man. i see the combine coming.”

the seldomly heard, more emotional side of mono junk on vortex traks.

best of album des electro-pop-trios pollyn aus los angeles, das, inspiriert von portishead, gorillaz und talking heads, im laufe der zeit von matthew herbert, dj harvey und moodyman geremixt wurde, aber auch selber bands wie gorillaz, liquid liquid, buffalo daughter und death from above remixte. coloriertes triple-vinyl (lp1 rosa, lp2 weiss, lp3 blau) inklusive der brandneuen single -findaway feat. alexis taylor (hot chip).

tb is the alias of permanent vacation label co-head tom bioly. his releases as tb so far are invitation to love on john talabot s hiverned 10inch imprint (was voted amongst the best 10inch releases by uk fact magazine), and -city girl on permanent vacation, of which german groove magazine wrote entirely superb. heartbreak hotel is a double twelve-inch release with eight tracks of melancholic dance noir set in smoke-filled darkness. acid bobbles, distorted strings and echoed guitars are mangled and layered on machine beats and disco drums.

180 gramm doppelvinyl im klappcover, downloadcode inklusive.

when it comes to living legends in the texas and latin music pantheon, few have been at it longer and are more revered by their fans and peers than soul vocalist and mexican-american songwriter and bandleader sunny ozuna. he became a star right out of high school in the late ‘50s and hasn’t looked back in the six decades since.
among countless other honors and notable achievements, sunny was the first latino artist to appear on dick clark’s “american bandstand” (in 1963). songs like “put me in jail,” “talk to me,” “should i take you home,” “my dream” and “smile now, cry later” still bring crowds to their feet throughout the southwest and california and around the world at “oldies” and “lowrider soul” events. and after releasing dozens of albums since the mid-1960s (in spanish and english), sunny still keeps a busy schedule and loves performing as much as he did as a teenager. his classic 45s regularly change hands for hundreds of dollars among collectors around the world, affirming his timeless appeal.
this new compilation on brooklyn’s acclaimed big crown label is a lovingly curated selection of songs from the years 1966 to 1972. all compositions were originally released on sunny’s key-loc label, formed after his national star had been established, so he could have control of his own musical destiny. with sunny hits – a mix of originals and some great covers thrown in mr. brown eyed soul is an excellent celebration of sunny’s amazing body of work, and a perfect introduction for newcomers.
produced in full collaboration and cooperation with ozuna himself, the cd and lp packaging includes liner notes by texas music scholar and archivist ramon hernandez, and features dozens of rare photos provided by sunny himself.
vinyl lp in gatefold sleeve including download code.

the 2nd release on dischi autunno is the 1st album of the magic ray, new project of established artist fred bigo aka electronicat. the album is produced by cosmo vitelli.

vor vier jahren durften sich green-day-fans wirklich verwöhnt nennen, schließlich servierte die band damals gleich drei neue alben direkt hintereinander. dann wiederum wurde es etwas still, die band nahm sich erst mal eine auszeit. die ist 2016 allerdings beendet. und mit »revolution radio« steht endlich wieder ein neues album in den startlöchern.
limitierte pressung auf picture-vinyl.

following on from the first part of heatwave remixes, mike maurro digs deep into this legendary groups catalogue to bring us another duo of stellar reworkings. this time their jazz-funk classic the groove line from 1977 gets the mm remix treatment and is backed with their evergreen slow-jam always and forever. 2 deeper cuts this time but the quality is just as high as maurro really understands this music and knows what to use and how. fans of heatwave will undoubtedly adore these new mixes and people who are new to the group will be amazed they hadn’t checked out the legendary mr. rod temperton and his super talented pan-european band of musicians before! naturally, everyone is welcome to this party...

released in 1974, téo azevedos first album grito selvagem (wild shout) is an irresistible blend of soul and rock with an unmistakable brazilian character. as many other lost gems of time past, the album found little commercial success, and still during the 70s teo turned forever to the true brazilian popular music the forró, the roots of sertanejo and the rhythms and traditions of brazils often forgotten countryside becoming, from then on, a genuine cultural reference in brazil not only as musician and composer, but also as a poet and researcher of popular folklore, being awarded the grammy latino prize in 2013.

- 50% deal - welcome to the all new children of the box, a label heavily inspired by the edgier side of chicago’s legendary club, the “music box”. we re getting things rolling with a whirlwind of raw analog recordings by gavin guthrie, aka tx connect (l.i

first time acoustic album from a-ha, featuring all the hits plus two brand new tracks on triple vinyl, housed in a gatefold sleeve.

volume.3 of the black traxx series with finest disco house tunes

cindy appears again in memories of cindy pt. 2, a passage of five plaintive cuts, concisely rendered with spineful percussion, succinct melodies and textures that evoke classic acid house and the new beat scene of the late 80s / early 90s. featured on pt 2. are several songs among the collection s non-club oriented tracks, transportzone mee- and forever afslutidijk, both meditative, atmospheric exercises interspersed among the ep s higher-bpm takes.

repress in generic white cover , earl has been with us since the beginning. the c in c.r.s.t. from some of our earliest releases to the spanking goodfoot ep as chesus and more recently his twisted disco remix of daneekas what s it gonna be? with seven davis jr. as earl jeffers he s really found his sound and we are stoked to have him back on board with his best ep yet. these tunes have been flaming all year in the clubs. proper essential stuff.

the revenge is back at the controls for home taping!!! the scottish dj and producer kicked things off on the imprint back in 2009 with his forever in their debt release, which grabbed the attention of house djs around the globe. now he drops another timeless ep of killer house music on the imprint lost grooves part one demonstrating his musical depth and amazing production skills as he drifts effortlessly between jackin dancefloor trax, deep house grooves and looped up disco business. the result is a totally authentic and raw sounding homage to house music delivered by someone who has lived and breathed it over the last decade or so. home taping all night long!

pink fluid is not an italian edm duo by the same name but the new band of jon tye & pete fowler who form the core of seahawks! as ransom note once called it: a partnership born of a psychedelic guide to monsterism island - the soundtrack to pete s illustrations, toys and figures - cemented by gigs playing records by boston, steely dan and fleetwood mac at the big chill bar, fuelled by a passion for vintage music-making machines, and given a name after a weekend spent in sailors outfits at bestival. from tracks synthesised around aor samples, seahawks now record pretty much as a full band - which includes members of hot chip and the horrors. so, what happened to pink fluid… ? jon: the first pink fluid release pipe dreams’ is coming up on prins thomas horizontal mambo imprint, we don’t know when but we know it will be beautiful when it does… and it does now! pipe dreams is an 8 track, 32 minute mini album of sheer, almost translucent, beauty. mambo hq 26.7. 2017 horisontal mambo is a new sublabel by full pupp /oslo

als einer von kompakts mitbegründern und –besitzern zeichnet reinhard voigt für ein gesamtwerk verantwortlich, das unsere musikalische historie von anfang an entscheidend geprägt hat - sei es als ambient-tanz-projekt sturm, techno-raufbold s.r.i., experimenteller profan-mitstreiter pentax, ein drittel von kölns legendärer house-boyband forever sweet oder einfach unterm eigenen klarnamen, mit unentbehrlichen releases wie etwa der frühe speicher-hit “supertiel” (kom ex 2) oder die jüngsten solo-eps “kontraste” (kom 351) und “reisen & speisen” (kom 338). voigts produktionen fanden eine heimat auf kultlabels mille plateaux oder harvest, helfen aber auch beim anschieben jüngerer plattformen wie kompakt-nachwuchs kx. zurück auf dem mutterschiff, präsentiert er die neue 12” apokalypse mau, deren zwei tracks für rohen, brutzelnden, zielstrebigen techno plädieren – die sorte techno, die unerwartete dynamik aus reduziertesten synthie-motiven sowie scheinbar willkürlichen bleeps herausschält und in selbstbewusste schieber für gierige tanzflure verwandelt.

die blitzgescheiten punk-soul-brüder melden sich zurück. es geschehen noch zeichen und wunder: schlappe zweieinhalb jahre nach ihrem letzten album -why not?- (2008) legen die sympathischen sonderlinge von superpunk ein neues album vor. nicht nur das: -die seele des menschen unter superpunk- ist das album, das man sich von superpunk (und auch von jeder anderen band) immer gewünscht hätte. die platte ist ein zärtliches und schmunzelndes -fuck you!- an, und jetzt kommt’s: die umstände. die lässigkeit und die größe, sich bei total aus der mode gekommenen musikstilen zu bedienen, die verachtung für die masse und die eliten, die textliche und musikalische autonomie - all das hat auf -die seele des menschen unter superpunk- sein zuhause gefunden. nennen wir es stil: rumpeln und groove, doo wop und 60s punk, angebertum und bescheidenheit schließen sich eben bei superpunk nicht aus. denn die blitzgescheiten genussmenschen sind musterschüler des punks, und dessen erste regel lautet nun mal: du sollst nicht langweilen! produziert wurde das album vom hamburger soulbrother bernd begemann.

it’s split single time at studio barnhus as we come correct with two pieces of proper-not-proper house music for the daredevil deejay. jonathan fernandez is only 23 but has lived in glasgow forever - under his wheelman moniker and as head of label/party stereotone, our brilliant new friend has quickly become scotland’s worst kept secret. track comes overflowing with mind-expanding rave signal and ruff-ruff square bass for your face! hanky – secret new alias of one of stockholm’s most recent and most exciting dance music exports – delivers a chaotic yet steady “super-groove”, equally primed for the club floor and the anger management class. artwork by johan jonason, award-winning film director/artist and elusive lead singer of man tear. studio barnhus, 2017

new extended play from frederick on his dwelling label fifty fathoms deep, with the idea of bringing together remixes, collaborations and previously unreleased bonus tracks from fifty fathoms deep and roar groove. as well as new works from frederick on this full circle release, the revenge and craig smith feature both individually and collectively as the 6th borough project.

after his banging ep 1 on aus, tee mangos back for the 5th installment in his tribute project, inspired by the much referenced theo parrish quote: love of the music should be the driving force of any producer, performer or dj. everything else stems from that core, that love. with that love, sampling can become a tribute, an expansion on ideas long forgotten, reconstruction, collage. time is now time is now comes off like adamski era seal rerub for the small hours. replete with hypnotic looped piano and drums sounding like they were lifted from vaughan mason s raze house archive. simply sweet sweet electronic music. make it last forever the b side is tee mango on home turf, with a selection of choice samples under his cap (from a record you might recognise), some simple loose sampled drums and a smattering of dub delay. love for this series coming from: axel boman, benji b, artwork, fred p, and a heap of others. these tribute releases sell out pretty quick, my hunch is that these will not hang about.

limited reissue on turquoise coloured double vinyl of kid rock’s 2001 album “cocky”.

the life and work of jacques brel will forever be celebrated by fans of the chanson. and the evidence is present here in a package that comprises tracks from his first six studio albums, released in the mid 50s through to the early 60s and containing some of his signature songs. pressing on 180 gram vinyl, housed in gatefold cover.

the album includes the most direct and propulsive shinoby material yet. there is a functional connection to dance music here, honing in on the celestial bliss s human element embedded within a sound fraught with inhumanity.the music is emotional, hostile, dark, grungy, dissenting, acidic and energetic. mostly based on repetitive patterns, the distorted yet perfectly balanced percussion drills through the concrete warehouse walls long into the night. the not occasional use of distortion brings the dense atmosphere to near suffocating limits.

*landing on partial, from the man jah scoop is insurrection’ - a moody and militant organ-tinged melodic instrumental piece, which refreshingly features nothing but “real instruments”. so, think late 1970’s style with perhaps an unintentional nod towards jackie mittoo’s ayatolla’ *despite the brooding pace and nature of insurrection’, it drops heavy on sound system, especially the echo-laden dub version on the b-side. *so, jah scoop? who dat? jah scoop is in fact guy mcaffer aka geezer, the legendary techno producer and artist geezer of¬ raw and stay up forever fame. he’s also the keyboard player for festival-favourites back to the planet and guitarist with punk outfit dogshite. that’s who.

the mission’s 1990 album back on 180 gram vinyl with download code included.

>lost in love< is the first single to be taken from l-vis 1990s forthcoming debut album, neon dreams. continuing a collaborative partnership which began on last years >forever you< single, breakthrough bristol-based vocalist javeon mccarthy once again takes centre stage here. through its melodious analogue synths, infectious vocal hooks and sub-4 minute running length, >lost in love< in many ways serves as the ideal entrée to neon dreams. this is the sound of l-vis 1990 revisiting the routes of his dance music love affair. picking up his own theme from the original—the classic french bassline—l-vis 1990s neon dreams club mix pushes the low-end triumphantly to the fore. club is certainly the operative word here, feel the remixs bangalter-esque bassline drop and your minds eye fixes instinctively upon an undulating dancefloor. the night slugs allstars — l-vis 1990, bok bok, jam city — also take the floor on their version, albeit via the neon-tinged scenic route. much like the label itself, their remix is replete with colour, difficult to define and relentlessly innovative.